Author: admin

New iPad Pro: Amazing hardware in search of equally amazing software

Posted onAuthoradmin

There’s a long-standing urban myth that Apple designs products with planned obsolescence in mind—intentionally engineering them so that you’ll grow dissatisfied over time and want to replace them with something newer and shinier. Don’t you believe it. The company actually has a pretty impressive track record of building products that remain useful for the long haul, even well after they’ve been discontinued and replaced. One of the best recent examples is the iPad Pro that arrived back in November 2018 . Now theoretically two generations out of date, it belies its age by feeling just about as fast, fresh, stylish, and capable as it did on day one. It’s even compatible with Apple’s Magic Keyboard, which shipped 16 months later and took the iPad Pro to new heights as a laptop replacement. That 2018 iPad Pro was so good, in fact, that it hasn’t cried out for reinvention. Last year’s iPad Pro  acknowledged that by focusing on improvements to the rear camera system, including some aimed at making augmented-reality apps work better. For most iPad Pro users, it was the kind of update you could sensibly skip, biding your time to see what came next. That time has arrived. Apple is about to release  another new iPad Pro that, like last year’s model, retains the industrial design and basic feature set of the 2018 version. (It officially arrives in stores on Friday, though it’s already in enough demand that Apple is quoting availability dates for new preorders in late June and July.) I’ve spent more than a week with a prerelease 12.9-inch unit provided by Apple, along with a Magic Keyboard case and Pencil stylus. (The keyboard is the new white version , which looks mighty sharp—and, unlike any previous iPad keyboard, is color-coordinated with the Pencil.) Finally, an iPad keyboard case that matches Apple’s Pencil. [Photo: Harry McCracken] In terms of sheer technical excellence, this new iPad Pro is a good-size leap beyond its 2018 and 2020 predecessors. Read More …

How two Southeast Asian superapps beat Uber at its own game

Posted onAuthoradmin

In 2009, while Uber’s cofounders were gearing up to launch, a cadre of young Asian entrepreneurs-to-be entered the MBA program at Harvard Business School. Out of that group came two ride-sharing startups that would evolve quite differently than their American cousins. The company now called Grab was conceived by Malaysian students Anthony Tan and Hooi Ling Tan (no relation) as their entry in a business-plan contest. They didn’t win—but later, they wound up out-Ubering Uber in burgeoning cities across the 10-country ASEAN region in Southeast Asia. Meanwhile, another classmate took a zigzag route to the top. Nadiem Makarim, working remotely with buddies back home in Indonesia, started Gojek as a side project while finishing his MBA. This ride-share app has branched into businesses from massage therapy to moviemaking. And just this week Gojek announced the largest business deal in Indonesia’s history, its merger with e-commerce giant Tokopedia. (Disclosure: Golden Gate Ventures is a small shareholder of Gojek via its acquisition of Ruma Mapan. We’ve also invested in Gojek’s spinout, GoPlay.) Both Gojek and Grab are now venture-funded decacorns. Each is headed for a dual IPO on New York and Asian exchanges. And they’re racing to dominate much more than ride-hailing on Southeast Asians’ mobile phone screens. Grab and Gojek each offer what hasn’t yet been seen in the U.S. market: a superapp combo, featuring a payment app that’s a potential gateway to selling anything people may wish to buy. Gojek’s Winding Road Gojek began modestly in 2010. At first it was a “minimum viable product” venture—a local, low-tech operation led on a part-time basis by its faraway founder. Read More …

Will you go back to a movie theater for more ‘Sopranos’? This filmmaker is betting on it

Posted onAuthoradmin

Kristian Fraga ‘s new film is nearly three hours long and mostly involves people sitting in chairs talking. But the director is convinced it’s a film that will get audiences back in theaters, where it is being shown starting on May 19.   There’s another hook too. The three-part documentary, being distributed by CineLife Entertainment, is about The Sopranos , so it’s essential viewing for fans of the seminal HBO show.   Fraga admits that to those who have no interest in Tony Soprano and his turn-of-the-century mobster malaise, Sopranos Sessions “will be like watching paint dry.” But his hope is that the film will also tap film and TV lovers interested in the craft of visual storytelling and the creative process of someone such as series creator David Chase, and that its intimate, pared-down nature will be a draw for theatergoers who have been pent up at home during COVID-19.   “I don’t have vistas or camels or spaceships,” Fraga says. “But the immediacy of the big screen and the experience of being in a theater where there are no distractions—you kind of get into the zone of the conversation.”   [Photo: CineLife Entertainment] There are many conversations. Read More …

Sick of Zoom meetings? Send Otter Assistant to attend your next one

Posted onAuthoradmin

What’s worse than missing a meeting? Attending one. So say most workers and managers, even as more meetings were held in the last 15 months than perhaps in any previous 450-day period. Otter.ai wants to free you from taking notes at virtual and hybrid meetings—and maybe even from attending them. Its deep-learning voice-transcription service can now scan your Google or Outlook calendar for Zoom sessions, automatically sign in at the appropriate time, and produce a live transcription that you and other participants can correct, annotate, and highlight in real time. Or—if you’ve ditched the meeting—your colleagues can while you’re busy elsewhere Read More …

Don’t get too excited about Apple Music’s ‘spatial’ and ‘lossless’ music

Posted onAuthoradmin

I’ve often gushed about my admiration for Apple’s commitment to music. The company employs a lot of musicians or ex-musicians, and even more music lovers. It’s not trivial: It says something about the company’s culture and the way it approaches creativity and collaboration. Apple has obviously made many important music-related announcements in its time, but this week’s announcement about Apple Music offering “lossless” and “spatial” audio probably won’t end up rocking the world. Spatial audio Apple has been working with Dolby to begin making some of the Apple Music catalog available in Dolby’s proprietary Atmos format. Those recordings are meant to sound something like the experience of watching a movie with surround-sound technology, where sounds might come from behind you, above you, or anywhere else within a spherical audio surface around you. And sounds can move around in that space, so a guitar solo might seem to slowly circle above your head (which is cool, because guitar solos are boring). Apple says it’s going to start off with a few thousand Atmos songs in June, including some from Ariana Grande, Kacey Musgraves, and others, and then add more tracks over time. When the spatial support launches next month, Apple devices will be set to play available songs by default, rather than the regular binaural mix. I’ve no doubt the Atmos mixes themselves will be true to the spatial concept. Read More …