AI researchers are creating ‘Minecraft’ structures that build themselves

When a group of AI researchers started using Minecraft to simulate cellular growth, even they were startled by the sophistication of the structures—such as a jungle temple with a fully-functioning arrow trap—they were able to create. Their goal was to build complex Minecraft structures by having each block learn to communicate with the ones around it, mimicking how the human body develops from a single cell in a process called morphogenesis. That model worked out even better than they anticipated, with one block growing into exactly the kinds of objects it was trained to create. In addition to the jungle temple, the system generated immaculate castles, stylish apartments, and even a caterpillar that regenerates after being cut in half. Sebastian Risi, an AI researcher at IT University Copenhagen, says this work could be a foundation for more ambitious projects to come, including a version of Minecraft that simulates evolution. He conducted the research along with his ITU Copenhagen colleagues Shyam Sudhakaran, Djordje Grbic, Siyan Li, and Elias Najarro; University of York’s Adam Katona; and Shanghai Jiao Tong University’s Claire Glanois.) “We have the basic components now,” Risi says. “It’s just about figuring out how to connect them all.” From one cell to another The Minecraft project’s underlying concept, called cellular automation, has been around since the 1940s. It’s the idea that cells in a system can live, die, or reproduce according to a set of rules. John Conway’s Game of Life , which dates to 1970, is probably the best-known example. But in those early systems, the researchers had to program the rules themselves, a process that eventually becomes impractical as the systems become more complex. This new Minecraft simulation works differently. Instead of coding the rules by hand, the researchers used neural networks to train each cell on what a set of finished structures should look like. Each cell figures out what type of Minecraft block to become by looking at the cells around it, then passes that information along to its neighboring cells so they in turn can figure out what to become next. “We only told it what it has to grow, but we didn’t tell it exactly how it has to grow it,” Risi says. Excited to share our work on Morphogenesis in Minecraft! We show that neural cellular automata can learn to grow not only complex 3D artifacts with over 3,000 blocks but also functional Minecraft machines that can regenerate when cut in half ????????=???????? PDF: https://t.co/hi573xzWIG pic.twitter.com/m19572pcIe — Sebastian Risi (@risi1979) March 17, 2021 This type of intercellular communication roughly approximates the way in which human cells work together toward a common goal, which Risi says is part of what makes the research exciting. The exact language our cells communicate is still somewhat of a mystery ; Risi hopes that by visualizing the messages that each cell sends—something the researchers hope to do in the future—they can help biologists understand more about how the body works. “It’s difficult to study those things in nature because it’s hard to extract those exact messages that cells pass,” he says Read More …

Meet BetterUp, the Silicon Valley startup where Prince Harry now works

Prince Harry is now working for a company called BetterUp, a coaching platform for employers, as its Chief Impact Officer. He says joining BetterUp is an extension of his desire to help people lead more meaningful lives. But what exactly does BetterUp do? Founded in 2013, BetterUp aims to offer more people the opportunity to access expensive executive coaching that can help them be more productive and achieve personal goals. It combines individual one-on-one coaching with a series of educational resources and practice exercises to help people excel at work. To do that, the platform focuses on giving people tools for tackling their work, advocating for promotions, and offering advice on other aspects of their lives that may be inhibiting their growth at the office. This includes coaching on better eating habits and effective parenting. The upper echelons of management are usually the only ones with access to this kind of coaching, but BetterUp is trying to bring it to the corporate working masses. The company charges employers a monthly subscription fee per employee for access to the platform and its coaches. Clients include Airbnb, Google, Hilton, and Warner Brothers, and individuals can also sign up for the platform through a free trial. Read More …

The pernicious staying power of COVID-19’s first viral disinformation campaign

This story is part of Doubting the Dose, a series that examines anti-vaccine sentiment and the role of misinformation in supercharging it.  Read more here . On a Monday in May, a now-infamous video titled “Plandemic” started to spread on social media. In a matter of days, millions of people had seen it. Media outlets devoted breathless attention to the conspiracy-laden film and its anti-mask, anti-vaccine, and anti-government agenda. It was not the first piece of disinformation about COVID-19, but it was perhaps the most potent. It also struck at just the right time. It was two months into the pandemic, and little was known yet about the virus. Americans were captive in their homes, searching the web for answers about a deadly disease. “Plandemic” offered a definitive storyline about COVID-19, when public health officials had unsatisfactory answers. The film took the opportunity to sow doubt in crucial figures such as National Institute of Allergy and Infectious Diseases chief Anthony Fauci and call into question mask wearing—one of the few available tools at the time to combat the spread of COVID-19. It was the best attempt yet to undo critical public health efforts underway and make Americans question government leadership. “Plandemic” was the first big wave in a rising tide of unquellable disinformation and misinformation about COVID-19. By the time the internet platforms we rely on to curate the web suppressed the video, it was already too late. It had reached nearly 10 million people across YouTube, Twitter, and Facebook by some estimates. Read More …

Disney put the brakes on going back to the movies. Here’s why

For many months now, the much-anticipated Marvel movie Black Widow has sat boldly on the movie release calendar. Slated to come out in theaters on May 7, the film was a sign that Disney, the studio releasing the film, felt confident that the ebbing state of the pandemic meant that fans would swarm to see the film in-person, driving up box-office receipts. More than any other film set for release this year, Black Widow was a harbinger of better times ahead for the movie business, which has been severely crippled by COVID-19.   On Tuesday, Disney dashed those hopes.   The studio abruptly announced on March 23 that it was not only moving Black Widow back to July 9, but that it will be simultaneously releasing the film on its streaming service, Disney Plus, for an additional $30 for subscribers, as it’s done with films such as Mulan and Raya and the Last Dragon . Disney also said that Cruella , which stars Emma Stone as Cruella de Vil, will also get the day-and-date theatrical-streaming treatment, though the film will   remain on its original release date of May 28.   Other changes included pushing the next Pixar film, Luca , straight to streaming on June 18, and delaying films including the Ryan Reynolds comedy Free Guy and another Marvel film, Shang-Chi and the Legend of the Ten Rings .   The news was a major blow to the exhibition business (to put it mildly), as well as a sign that the world’s emergence from COVID-19 is slow, laborious, and prone to unforeseen shifts—such as the new strains of COVID-19 that are ravishing Europe at the moment, sending countries back into lockdown. This gradual, up-and-down emergence from the pandemic, as opposed to the quick, clean pivot everyone would love, is evident in current movie theater attendance. While recent releases like Tom and Jerry and Croods 2 have proven that there’s pent-up demand to get back into theaters, in the United States the reality is that only 52% of theaters are currently open. Those that are operating are doing so at between 25% and 50% capacity. Anecdotally, that means that parents who couldn’t wait to break out of the house and go see Raya and the Last Dragon with their kids last weekend in cities like Los Angeles, where vaccinations are moving along at a steady clip, found themselves in empty-feeling theaters that were nonetheless sold out. That’s great for audiences, safety-wise. But not so great for Disney looking at all that lost revenue. The fact that Raya was also on Disney Plus was a consolation for the studio, as it now will be with Black Widow . Read More …

In a world of screens, Sherry Turkle wants to make eye contact

Sherry Turkle would prefer not to tweet. “My publisher said, ‘Look, you have to tweet, you have to force yourself, you have to learn how to do that!’ ” Her publisher being the one that just released The Empathy Diaries , a gripping, elegant memoir in which the psychologist and scholar and critic of technology finally puts herself under the microscope. The megaphone of social media is more complicated. “I’m really not very good at it, so I just keep saying things like ‘surreal that . . .!’ ‘Thrilled to see my exciting . . .’ I never say that. I feel like such a jerk. And then I started an Instagram account. And I said, ‘I can’t do this. . . . I mean, I barely can keep up with my email.’ And considering all the people we have to be, it was just one extra person that I couldn’t attend to right now.” Though, she admits, “Once the pandemic is over, I may change my mind.” Minds and selves and how they change have long been fascinations for Turkle, the Abby Rockefeller Mauzé professor of the social studies of science and technology at the Massachusetts Institute of Technology. So this pandemic time, as awful and deadly and isolating as it is, is also interesting. It’s also a time when the digital technology that she’s studied for so long has become increasingly entwined with our minds and bodies—and just at the moment when we were asking some of the urgent questions that Turkle’s been asking for years now. Like, How do our objects objectify us? Sherry Turkle with her mother, 1953. [Photo: courtesy of Sherry Turkle] In The Empathy Diaries , Turkle describes a long personal relationship with what anthropologist Victor Turner calls “liminal moments,” transitions and inflection points that can also be thresholds to new ways of thinking. Born in postwar Brooklyn to a working-class Jewish family, she read and wrote her way to Radcliffe—which she attended when it was folded into all-male Harvard—and then studied in Paris in 1968, when student protests were giving way to new ideas about the mind. Read More …