TikTok is a thriving learning community—and may be the future of education

Even pre-pandemic, the decline of traditional education was already underway. With exorbitant costs and a focus on standardized test scores, the industrial education model has become increasingly disconnected from the needs of both students and employers. Worse, little attention goes toward encouraging the skills and mentality needed for lifelong learning. As the cofounder of an education startup, I don’t think it has to be this way. A  recent Harvard study showed that students actually learn more when education is built on “active learning,” which promotes working collaboratively on projects. And now, the COVID-19 pandemic has accelerated the disruption of education as kids and young adults have been forced to learn from home Read More …

Why some developers are avoiding app store headaches by going web-only

Earlier this month, the indie developers Feross Aboukhadijeh and John Hiesey launched a new app called Wormhole , which lets users quickly share large, encrypted files with just a link. But unlike most new mobile apps, Wormhole doesn’t show up in Apple’s App Store or the Google Play Store. Instead, Aboukhadijeh and Hiesey released their app exclusively on the web. You can run Wormhole in any browser, and if you use the “Add to Home Screen” function in Safari for iOS or Chrome for Android, the site becomes indistinguishable from a native app. Aboukhadijeh says that Wormhole has a long list of reasons for skipping mobile app stores, including the ease of developing for the web and the lack of platform gatekeepers to worry about. But for him, targeting the web is also just a matter of principle Read More …

Elon Musk just shared a video of a monkey controlling Pong with his brain

For the first time, Elon Musk has shared video footage of his brain-chip technology Neuralink. The implantable chip allows the brain to communicate with computers. In a video released late Thursday, a macaque monkey implanted with Neuralink’s technology appears to play a Pong-style tennis video game without using a controller of any kind. In the video, a narrator explains that the macaque, named Pager, has two Neuralink chips implanted in his brain. These chips pull and record information from more than 2,000 electrodes that have been placed in Pager’s motor cortex in order to register his desired hand and arm movements. First, Pager plays a computer game using a joystick. Read More …

This musician is calling on Spotify to ditch any plans to track listeners’ emotions

Earlier this year, Spotify elicited sheer panic when it was granted a patent for analyzing users’ voices to decipher their emotional state and then make music recommendations to match. Under the patent’s description, Spotify would also be able to use your speech to identify gender, age, accents, and even if you’re with someone or alone. It’s just a patent and that technology may never find its way into the platform. But in an era of surveillance capitalism and ever-heightening privacy and data concerns, artificial intelligence that tries to feed you music based on what it thinks you’re feeling seems like yet another dystopian future that’s almost here. After all, emotion-recognition technology is already being used in marketing, security, and hiring. But musician and activist Evan Greer is doing what she can to make sure Spotify’s patents never become a reality. [Screenshot: Evan Greer] In conjunction with the release of her single “Surveillance Capitalism” off her new album, Spotify Is Surveillance , Greer is also calling for Spotify to ditch any plans of surveilling its users. Launched in partnership with nonprofit advocacy group Fight for the Future, where she is the deputy director, StopSpotifySurveillance.org lays out the stakes of the issue at hand and provides a petition to sign. “The fact that Spotify filed a patent for this type of emotional surveillance and manipulation is beyond chilling,” Greer said in a statement. “It’s not enough for them to say that they have no plans to use this technology right now, they should publicly commit to never conducting this type of surveillance on music listeners.” To drive that point home, Greer explains the song “Surveillance Capitalism” is meant to underscore how the internet still has “the potential to profoundly transform our society for the better, abolishing false scarcity, and enabling universal access to human knowledge and creativity, while ensuring marginalized and independent artists and creators are fairly compensated for our labor. “But if we allow a small handful of companies to dominate the web and the music industry with a parasitic business model based on surveillance and exploitation,” she adds, “we’re headed for the opposite: a dystopian future where algorithms decide what we see and hear based on profit, rather than artistry.” [Screenshot: Evan Greer] Greer isn’t the only one pushing back against Spotify, which hasn’t faced the same kind of attention as other large tech firms regarding privacy and surveillance. The digital civil rights group Access Now has also demanded that Spotify withdraw any plans to implement its patent. “This technology is dangerous, a violation of privacy and other human rights, and should be abandoned,” the nonprofit wrote in a letter to Spotify CEO Daniel Ek, which was reported by Axios . Read more about StopSpotifySurveillance.org here and check out Greer’s album here . The proceeds from the song will be donated to the Union of Musicians and Allied Workers (UMAW) to support their #JusticeAtSpotify campaign. Read More …

Netflix’s big bet on global content could change how we see the world

As a kid growing up in Italy, I remember watching the American TV series Happy Days , which chronicled the 1950s-era Midwestern adventures of the Fonz, Richie Cunningham, and other local teenagers. Happy Days was a product of Hollywood, which is arguably still the epicenter of the global entertainment industry. So recent news that the streaming service Netflix is opening an Italian office and will begin massively funding original local content with the intent of distributing it globally on its platform —following a strategy already launched in other European countries—struck me. The show, combined with other American entertainment widely available in Italy in the 1970s and 1980s, shaped my perception of the United States long before I ever set foot in the country. Today, I call the U.S. home, and I have developed my own understanding of its complexities Read More …