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For the past five years, there’s been a cadre of YouTubers working closely with the company to shape the tools and features creators are using. And it’s not until now that YouTube is pulling back the curtain on its findings and on the program itself. YouTube’s Creator in Residence launched in 2016 as a way for a select group of creators to stress test new additions to the platform and give feedback on the user experience directly to engineers, designers, and product managers. Ten creators are handpicked by the Creator in Residence team for six-month terms that include weekly meetings and, at times, team members visiting creators in their homes and studios to see how being a YouTuber affects their lives on and off camera. Renato Verdugo, a user experience researcher at YouTube an co-lead of Creator in Residence, says typical UX research stops after a week or two with a specific focus on workshopping a product, website, or app. “The more time we started spending with creators without a product agenda, the more we learned [about] their everyday life in a way that allows us to better understand the role that the platform plays in a specific creator’s success, in a specific creator’s business,” Verdugo says. “The residency came from the spirit of, how do we spend time with creators beyond one research session? ” Part of the reason the Creator in Residence program stayed under wraps for five years was to ensure that time with creators was as unfiltered as possible. Renato Verdugo [Photo: courtesy of YouTube] “For this to be effective, the creator needs to know that they’re not here to be a spokesperson, that they’re here to be honest and raw,” Verdugo says. “Giving time to work without the public spotlight and [creators not having] people put pressure on them like, ‘You’re talking to YouTube? Can you also raise this other thing?’ It just creates space to breathe.” Verdugo and his team select creators based on who they deem are doing something “unique or cool” and “really creative” with their channels, regardless of the size of their following. “We have no hard requirements,” he says. “We’ve reached out to people who have a couple hundred thousand all the way to the well into the millions. It’s much more about doing interesting things on the platform.” For example, Anisha Dixit, a creator based in Mumbai whose aim is empowering women, particularly in India, in approachable and comedic ways. “She talks about things that could be considered taboo, like menstruation,” Verdugo says. “She mixes her own experience of growing up as a woman in India with the experience that her younger audience is going through.” To get a better sense of Dixit’s workflow and life, Verdugo spent a week in Mumbai shadowing her creating content, doing press, and so forth. “That ethnographic research is really not necessarily about any specific feature of the platform. I don’t show up with like a suitcase full of prototypes like, let’s try new things,” Verdugo says. “It’s an opportunity to open that window into what is everyday life. What is it like to wake up in the morning and be a YouTube creator and go to bed and still be a YouTube creator?” That said, there are occasions where Verdugo gives creators the opportunity to test, and ultimately shape, new features on the platform, such as the revamped YouTube Studio, the hub for creators to manage their accounts; and YouTube Stories, which originally launched as Reels in 2017 but not without some necessary guidance from creators in the program who were flown to New York City to participate in a scavenger hunt as a fun way to test the feature Read More …